‘BORED TO DEATH’ GETS SECOND SEASON
10.07.09HBO has ordered a second season of “Bored to Death,” according to the Hollywood Reporter. The noir-comedy stars Jason Schwartzman as a frustrated writer turned private investigator, with Ted Danson as his editor and Zach Galifianakis as his best friend, and the series has managed solid if not spectacular ratings so far.
Despite my general distaste for Schwartzman and his idiotic hair, I had massive hopes for this show. There was so much to like: written by the excellent Jonathan Ames, inspired by the giants of noir like Raymond Chandler, co-starring Zach G., set in Brooklyn… I’m the target audience for this show.
And yet: it kinda sucks. The writing is solid, the acting is good (Jim Jarmusch had a terrific guest spot in the most recent episode), but Schwartzman’s central character is poorly composed. He’s an author who whines about not being able to write his second novel, and he drinks white wine to appease his girlfriend who thinks he drinks too much. After she leaves him, he’s so heartbroken that he continues to drink white wine. I’m sorry, but as an alcoholic writer, that is NOT how it works.
“Bored to Death” fails because noir, whether it’s playing for laughs or thrills, demands a confident central character; Schwartzman’s kvetching shrimp with existential problems just doesn’t cut it. Let’s stop giving this Woody Allen archetype the dignity of the word “nebbish,” and call it what it really is: annoying little bitch.
(image source = WWTDD. Plenty more Annalynne McCord over there)


the whole fucking point of the show is to turn the idea of the stereotypical protagonist in a mystery novel on it’s head.
Yeah, and it fails.
detective novel – excuse me – now go fuck yourselves
Hey – idiots – the whole fucking point of the show – the whole fucking point – is to turn the idea of the stereotypical protagonist in a mystery novel on it’s head. The stupides comment of all is the one written by the actual filmdrunk guy who I normally find insightful and pretty laser sharp. I think the show is OK – and I could care less how scathing the review – scathe the fuck away – but at least make well thought out criticisms. Dissapointing.
Raymond Chandler noir worked because Philip Marlowe was a fucking badass.
Kiss Kiss, Bang Bang worked because Robert Downey, Jr. played a slightly less confident average guy who turns into a badass precisely because he worships private dicks like Marlowe.
This stars Jason Schwartzman … who is a pussy. Enough said.
Great point bringing up Kiss Kiss Bang Bang, Karlifornia. Without breaking this down into a character study, I’d say the short answer is that yes, it’s because RDJ is 8 million times better than Schwartzman.
Matt, I completely agree. The show should be better than it is, and at first blush I’d say it falls mostly on Schwartzman, who I have always irrationally liked. What worked for Robert Downey Jr. in Kiss Kiss Bang Bang doesn’t work here, and I have to guess it’s because Downey is just a much better actor than Schwartzman?
I quit this show after two episodes due to it’s shittiness. Since when did Steve Nash get his own show anyway?
Or “Whored to Death.”
I think this show would be way, way better if it was called ‘Gored to Death.’
Ironically, I had been looking forward to this, and just caught it for the first time last night. I thought it was awful.
I’m a New Yorker and a noir nerd so I was hopeful. But this shit was boring and unfunny. The titties bought it more time, but I’m not seeing how this show is entertaining.
The more employment Jason Schwartzman gets, the less jobs there are for Justin Long. Take the good with the bad, dude.
Pictures of Anna Lynne McCord from the neck down are the best ones
I agree, Captain Insano: those were spectacular. But that’s the same rationale that people use to defend “Entourage.”
On the other hand…boobs. Episode 3, the most spectacular pair to grace the small screen.