Ten of TV’s Most Obnoxious, Overused Tropes

12.07.11 Written by Josh

Imagine them eating in slow-motion, and you've got about three selections from this list.

Did people in the 1960s, when TV was a relatively new source of entertainment, predict that at the end of the “Mr. McBeevee” episode of “The Andy Griffith Show,” the previously-unseen-by-everyone-but-Opie titular character was going to appear? Like we would now. You see, Mr. B is a “Not So Imaginary Friend,” and because of Opie stating that he has 12 hands…The point I’m trying to make is: recognizing tropes have made us more cynical about TV, and that’s why I love them.

One of the reasons why shows like “Community” and “South Park” are so good is because they rarely go the easy route and do something that’s been seen a million times before. Their success comes from the way they subvert tropes, unlike, say, “Two and a Half Men” or “Family Guy,” both of which have been doing the same exact stories with the same exact jokes that “The Honeymooners” did in 1955. Just not as well.

On the following pages are 10 of my least-favorite TV tropes. If ever you’ve groaned at a character screaming in horror when they realize who their bedmate is, or turned the channel when someone thought they were high or drunk when they were actually just given a placebo, this list is for you. (Note: this is not the 10 WORST – it’s 10 that really bug me, even if some of my favorite shows use them. Please list your least favorites.)

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Patrick Dempsey Is or Is Not Leaving ‘Grey’s Anatomy’

06.01.11 Written by Matt

Patrick Dempsey, better known to single cat-owning women as McDreamy on Grey’s Anatomy, will take his lush mane of hair and leave the show after the 2011-12 season. Or he won’t, I don’t really give a sh*t.

Dempsey told the Italian edition of Vanity Fair that he won’t return to Grey’s Anatomy after next season. “It will be my last,” Dempsey said. “I don’t know what will happen with the other characters, but for me, it’s done.”

That sounds pretty clear to us. But Dempsey’s rep says he was only referring to his contract being up after next season and it’s uncertain what he will do next: “He was referring to the fact that his contract is up at the end of next season and we have no idea what the future holds.” [EW]

On instinct, I’m trained to believe that any statement from a PR rep denying anything is a baldfaced lie, but in this case I side with Dempsey. I’m assuming he gave his answer in English, which was then translated into Italian for the article, which was then translated back into English. Anyone who’s ever used Babelfish knows that what he originally said may as well have been the plot of a sci-fi novel as described by a five-year-old with Down syndrome.

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Ten Great Gimmick Episodes

05.25.11 Written by Josh

This week’s list takes a look at TV episodes that ventured outside of their shows’ established formats. In order to highlight originality, I specifically asked Josh to avoid common gimmicks like the “bottle episode.” And to keep things from getting too meta, we’re leaving “Community” off the list altogether, because its gimmick is using gimmicks so often that they’re no longer gimmicks. And now my head hurts. –Ed.

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Ten TV Stars Who Left Hit Shows And Now Appear in Made-for-TV Movies

04.27.11 Written by Josh

I wouldn’t be too worried for the career of Steve Carell after he leaves “The Office” tomorrow. Although his film career thus far has been spotty at best, including one of the most hated comedies of all-time ( Evan Almighty), Carell has enough roles already lined up to sustain him for awhile.

The same can’t be said for the following 10 actors and actresses, who left their hit TV shows hoping for something bigger and ended up instead finding—well, they found a lot of made-for-TV movies.

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Expository Subtitles: The Future of TV

03.23.11 Written by Matt

Recently, DirecTV began airing episodes of “Damages” with subtitles that help explain background information viewers might not know if they missed previous episodes of the complex legal drama.

The on-screen subtitles function as a primer of sorts, appearing every few minutes to flesh out a twisty plot turn or reveal a character’s sinister motives…

“It’s a way to say to viewers, ‘It’s not too late to get involved in this show,’” said Paul Guyardo, DirecTV’s chief marketing officer. “And it might keep new viewers from throwing in the towel if they can watch episodes that give them extra background and context.” [LA Times]

As cable networks and scripted series fight harder to retain viewers, it’s likely that these expository subtitles will become widely available across all cable platforms. In a Warming Glow EXCLUSIVE, the following pages reveal how those subtitles will look for some of TV’s most popular shows.

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